Laurie knows that the idea of a Brit playing the blues is bound to give people pause, and tries to downplay expectations.
Laurie's rationale is reassuringly matter- of-fact, and is perhaps best explained in a photocopied letter from Laurie that arrived at GQ a few months ago. "I was not born in Alabama in the 1890s," wrote Laurie. "You may as well know this now. I've never eaten grits, cropped a share, or ridden a boxcar. No gypsy woman said anything to my mother when I was born and there's no hellhound on my trail, as far as I can judge. Let this record show I am a white, middle-class Englishman, openly trespassing on the music and myth of the American South... The question of why a soft-handed English schoolboy should be touched by music born of slavery and oppression in another city, on another continent, in another century, is for a thousand others to answer before me: from [Alexis] Korner to Clapton, the Rolling Stones to the Joolsing Hollands. Let's just say it happens."allmusic.com has a review of the album. I think it's fair to say the review is respectful but guarded.
Myself, I miss Laurie's native accent and his considerable comedic chops. I think I'll watch Black Adder the Third again.
[UPDATE: Link to the GQ article courtesy The Browser.]
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